How to Traditional — Tutorial Library (Draft)

Private draft — not published

Fifty step by step traditional flash walkthroughs, each one built from construction through to shading and full colour. Eleven are open below as a preview of how browsing and following one could feel.

Preview build11 of 50 tutorials

Tutorials

Full colour

Drawing steps

Tap a tutorial on the left. Shading and colour sit above as reference, the construction steps below walk through building it from scratch.

Where These Designs Come From

American traditional didn't start as a style choice, it was a trade built for skin. Here's the short version of where this imagery actually comes from.

Flash before it had a name

The style traces back to sailors and the port-city tattoo shops that opened up from the 1870s onward. Designs stayed simple on purpose: bold black outlines and flat colour that would still read clearly decades later, once the ink had spread and the skin it sat on had aged. By the 1920s, artists like Lew Alberts were printing these designs on paper and selling them on, sheet after sheet pinned to shop walls for customers to pick straight off, which is where the word "flash" comes from.

Sailor Jerry and the golden age

Norman "Sailor Jerry" Collins worked out of a shop in Honolulu's Chinatown from the 1930s until his death in 1973. A Navy veteran himself, he took the older American flash and reworked it with ideas picked up from Japanese tattooing: cleaner linework, bolder colour, more considered composition. That reworking is basically what most people mean when they say "traditional" today. His designs still circulate through Sailor Jerry Ltd, set up by his protégés Ed Hardy and Mike Malone.

Anchor & ship

Before anyone had a way to prove where they'd been, a tattoo did the job. An anchor on the hands marked a crossing of the Atlantic; a full-rigged ship meant you'd rounded Cape Horn. Worn like a sailor's CV, in ink.

Snake

Coiled snakes show up in written descriptions of sailors' tattoos as far back as the 1860s, prized by early tattooists for how naturally they wrapped around an arm or a leg.

Shark

A shark tattoo was meant to say the wearer had taken on some of the animal's own toughness: part decoration, part warning not to try anything.

Panther

Big cats were a mainstay of mid-20th-century flash sheets alongside eagles and tigers: bold, high-contrast shapes that held together as the ink aged, which made them a safe bet for a shop wall.

Diver's helmet

Part of the wider catalogue of adventure and travel imagery that filled flash sheets through the early-to-mid 20th century, back when deep-sea diving still felt like the edge of the map.

Worth being straight about: the jellyfish and the matryoshka doll don't have a documented pre-1990s place in old flash. They're newer additions, included here for variety rather than tradition, and the history above doesn't stretch to cover them.